From Old to New: A Look at Stabilized Improvements with Churchill Navigation
At GSS, we always look to evolve and improve. At our core, we are engineers that love to create, test and improve our gimbals and technologies to provide the highest quality and latest advancements that integrate with our gimbals. As we analyze old footage, we are proud to see how far our stabilized gimbals have […]
The GSS Cinema Pro+
The GSS Cinema Pro+, formerly known as the C520, is the smallest and lightest gimbal in its class and supports the most popular cameras and lenses in the marketplace. This gimbal goes above and beyond competitors with fast installation time, a weather-sealed shell and the ability to house today’s most popular camera and lens configurations. […]
Fitting the DNA of Teton Gravity Research
Earlier this year, GSS client Teton Gravity Research, an action sports media company, shared this custom feature about their journey with GSS their new GSS Cinema Pro +, and we are so proud to see our gimbal in these incredibly versatile projects. “GSS really fits our DNA. It’s the best five-axis gimbal in the world.” […]
Aerial Camera Systems meets the Cineflex Pro +
GSS customer Aerial Camera Systems received their first GSS Cineflex Pro + this summer and inaugurated their new gimbal at this year’s Wimbledon Championships. This system is contoured with the Grass Valley LDX-C86N Compact Camera and Canon CJ45 lens. For the first time, the Cineflex Pro + will help capture the legendary hoisted aerial shots […]
The GSS Cinema Pro Gimbal
Formerly the GSS C516, the Cinema Pro handles the most popular medium-sized cinema cameras with ease. Similar to the Cinema Mini, its six-axis look-down extends filming capabilities without gimbal lock. An expanded width of 16 inches allows this gimbal to accommodate larger interchangeable lenses. For increased precision and accessibility, the Cinema Pro features a geo-pointing […]
The GSS Cinema Mini Gimbal
Ideal for today’s most popular payloads, the GSS Cinema Mini is the smallest, lightest gimbal capable of handling the Arri Alexa Mini and RED Weapon with a lens up to a Canon 50-1000. Whether your project requires aerial, ground vehicle or marine mount, the Cinema Mini is the most versatile option for your production. Between its six-axes […]