Cineflex Broadcast Gimbals
When the shot has to be perfect.
Live sports. Breaking news. Events that happen once. The Cineflex broadcast series has been the platform of choice for the world’s most demanding production teams for more than two decades — because anything less than perfect isn’t an option.
Broadcast production runs on reputation. Your clients expect the shot. Your competitors are watching. And when you’re rigged on a cable-cam running alongside Olympic sprinters or following a breaking story from a helicopter, there’s no second take.
Cineflex broadcast gimbals are built for exactly that pressure — with integrated CCU support, SDI output ready for your network feed, and the stability to deliver broadcast-quality imagery at the speeds and focal lengths live production demands.
Where Cineflex goes to work.
Live Sports
From cable-cam rigs at the Olympics to helicopter coverage of motorsport and ski racing, live sports pushes stabilization systems to their limits. Cineflex gimbals deliver broadcast-quality imagery at speeds and angles that would defeat lesser platforms — giving directors and operators the creative range to capture the moment, not just document it.
Electronic News Gathering (ENG)
News doesn’t wait. ENG operators need a system they can rig fast, rely on completely, and move at a moment’s notice. Cineflex gimbals are compact enough to travel as excess baggage, rugged enough for any conditions, and backed by a support team that answers the phone.
The Cineflex broadcast series.
Three platforms, each engineered for a specific range of broadcast requirements. All share the same 5-axis gyro-stabilization architecture, Cineflex’s proven track record, and GSS’s engineering and support infrastructure.
Cineflex 512 — Fast, light, unstoppable
The smallest and lightest platform in the Cineflex broadcast lineup — the choice for high-speed, dynamic deployments where weight and agility matter most. Cable-cam rigs, fast-moving sports coverage, and setups that need to be in the air or on a wire in minutes.
Compatible with Sony P50A and Ikegami F4000 broadcast cameras.
Cineflex 512EX — Extended reach
Our most popular broadcast platform. The 512EX’s extended form factor accommodates a broader range of cameras and — critically — the longest broadcast lenses available. When your shot requires maximum reach with no compromise on stability, this is the platform.
Cineflex 516 Pro — Maximum flexibility
The 516 Pro handles larger cameras and supports interchangeable lenses and payload changes in the field — giving operators the freedom to adapt to whatever the production demands. The platform of choice when versatility is the priority.
“GSS developed the B512 in close cooperation with us, and our two B512s have consistently delivered brilliant results.”
— Alexander Brozek, CEO, Camcat Systems
“The GSS C520 is the best ever for stability, and the interchangeability of camera and lenses in 4K.”
— Benoit Dentan, CEO, XD Motion
Sports
Live Events & Special Coverage
Ceremonies, concerts, and one-time events require both creative flexibility and technical reliability. Cineflex gimbals support a wide range of camera and lens configurations so your operators can adapt to the production — not the other way around.
News Gathering
News doesn’t wait. ENG operators need a system they can rig fast, rely on completely, and move at a moment’s notice. Cineflex gimbals are compact enough to travel as excess baggage, rugged enough for any conditions, and backed by a support team that answers the phone.
Concerts & Events
Let’s talk about your next production.
Whether you’re spec’ing a new platform or looking to upgrade, our team knows broadcast. The conversation starts here.